This is the pillar for the valuables cluster. It sets out the three concepts every specialist wording rests on — agreed value, all-risks, and scheduled against unscheduled contents — and links to the object-by-object guides. Cover for the property itself is dealt with in the household guide.

The reason a valuable item ends up uninsured is almost never a decision to leave it uncovered. It is that the owner read the contents sum insured — €200,000, say — and reasonably assumed that a €40,000 item inside that figure was covered for €40,000. Portuguese contents wordings do not work that way, and the paragraph that explains why is rarely the one anybody reads.

The single-article limit

A multirriscos policy insures the contents of a home to an overall sum, and then, separately, caps what it will pay for any one item. The cap appears in the condições particulares under a heading such as objectos de valor or bens de valor especial, and it is typically expressed two ways at once: a percentage of the contents sum for the valuables category as a whole, and a fixed euro figure for any single article within it. Both apply. The lower one decides.

The consequence is arithmetical rather than arguable. A collection of jewellery worth €90,000, inside a contents sum of €200,000, against a valuables sub-limit of 20% and a single-article cap of €3,000: the category is capped at €40,000, and no individual piece recovers more than €3,000. The €200,000 is a real figure. It is simply not the figure that governs the ring.

Most contents sections cap any single item at a few thousand euros, whatever the item is worth. The sum insured on the front page does not override it; it is a different number answering a different question.

Everything else in this guide follows from that limit. The three techniques a specialist wording uses — scheduling, agreed value, and all-risks — exist because the blanket approach breaks down as soon as value concentrates in a small number of objects.

Scheduled and unscheduled contents

A well-built policy carries both. Unscheduled contents remain a single blanket sum for everything ordinary: furniture, appliances, clothing, books, the accumulation of a household. A specialist wording usually sets a considerably higher per-item cap here than a retail one — enough that a laptop or a rug does not need listing.

Scheduled items are listed individually in the policy schedule, each with its own sum insured, each described well enough to be identified: maker, date, dimensions, hallmark, serial or movement number, and a photograph on file. The single-article limit does not touch them. In exchange, the description has to be right, because the item you claim for is the item the schedule describes.

Where the line falls is a practical question. Schedule anything above the blanket per-item cap; schedule anything you would actually replace rather than absorb; and schedule anything whose value comes from something a loss adjuster cannot see — provenance, a signature, an unusual restoration history. Everything else is better left unscheduled, where it costs less and needs no paperwork.

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Agreed value against indemnity

Portuguese policies default to indemnity: after a loss, the insurer establishes what the item was worth immediately beforehand, applying depreciation, wear and market movement, and pays that. For a three-year-old television this is entirely sensible. For a watch bought in 2009 that now trades at four times its retail price, it produces a settlement calculated from the wrong direction.

On an agreed value basis, the insurer accepts a stated figure at inception, normally against a valuation, and pays that figure after a total loss without reopening the question of worth. The argument about what the item was worth happens in advance, in writing, while the item still exists to be examined — which is the only time either side has good information.

 IndemnityAgreed value
Figure fixedAfter the loss, by the insurerBefore the loss, by agreement
Evidence neededSupplied by you, after the item has goneSupplied at inception, while the item is present
DepreciationAppliedNot applied to the agreed figure
AppreciationRecognised only if you can prove it after the eventBuilt into the agreed figure, and revisited at renewal
Works badly forAnything rare, restored or appreciatingAnything ordinary — the valuation cost is not worth it

Agreed value settles the amount, not the entitlement. An item lost through an excluded cause, or while a stated security condition was unmet, is declined regardless of how the value was set. That is why the security conditions attached to a schedule matter as much as the figures on it.

All-risks against named perils

The third concept concerns the cause of loss rather than the amount. A named-perils wording lists the events it responds to — fire, storm, escape of water, theft with forcible entry, and so on. If what happened is not on the list, there is no claim, however genuine the loss.

An all-risks wording inverts the burden: accidental loss of or damage to the insured item is covered unless the policy specifically excludes the cause. The exclusions still matter — wear and tear, gradual deterioration, inherent vice, insect and vermin damage, war, and in most wordings damage occurring during repair, cleaning or restoration — but they are a finite list rather than an open-ended one.

The difference shows up in the losses that actually happen to valuables. A ring that goes down a drain is lost, not stolen. A canvas punctured by a ladder is neither fire nor storm. A watch that falls off a wrist in a car park has met no listed peril at all. Under named perils those are three uninsured losses; under all-risks they are three claims.

What underwriting will ask for

None of these three features is granted on request. Each of them shifts risk toward the underwriter, and the underwriter buys the shift with information.

Where each type of object goes from here

The three concepts are common to everything; the evidence and the conditions differ sharply by object. Jewellery and watches turn on the single-article limit, the safe rating and whether the piece is worn outside the house. Art turns on what happens after partial damage, and whether the policy pays the loss in value that survives a good restoration. Antiques and collections turn on inventory and on the pair-or-set clause. Instruments turn on whether they are played professionally and how they travel. Wine turns on climate failure, which no named peril describes.

Two cross-cutting pieces apply to all of them: the security conditions written into the schedule, and the discipline of keeping the figures current, because an insured value that has fallen behind reduces a partial claim in exactly the same proportion as a deliberate under-declaration.

Adler & Rochefort is a commercial brand of Ownizo, Unipessoal Lda., registered with the Portuguese Insurance and Pension Funds Supervisory Authority (ASF) under no. 425591790/3. General information only, not personalised advice; cover, sub-limits and conditions vary by underwriter and by risk.